Posts Tagged ‘Audio’

Convert any audio file

Tuesday, April 3rd, 2012

http://audio.online-convert.com/convert-to-wav

How to convert audio and video files for free

Wednesday, August 10th, 2011

OS X Lion An operating system? Yes. Among Lion’s new features is an Automator trick that allows you to easily convert compatible media files right from the Desktop. Control- or right-click on an AIFF, WAV, CAF audio file or .mov, MPEG-4, and H.264 video files and choose “Encode Selected [Video/Audio] Files” from the Services menu at the bottom of the contentual menu pop-up. A small window appears where you can choose your encoder settings.

Convert media with Lion’s built-in tools.
For audio files you have these options: High Quality (128kbps, 44.1kHz, AAC), iTunes Plus (256kbps, 44.1kHz, AAC), Apple Lossless, Spoken Podcast (ABR, 22.05kHz, AAC). Regrettably there’s no option for converting files to MP3. For video files your choices are 480p (640 by 480 H.264), 720p (1280 by 720 H.264), 1080p 1920 by 1080 H.264), Audio Only, and Apple ProRes (resolution the same as source file). Note that the encoder won’t upscale movies so if your movie is already encoded in 480p resolution the higher resolution settings do you no good.

Select the option you want, click the Continue button at the bottom of the window, and your file is converted. By default it’s saved to the same location as the source file, but you can change that by unchecking the Same as Source File option and choosing a new location via the window’s pop-up menu.

Automator If the previous option sounds good to you but you can’t use it because you haven’t upgraded to Lion, there’s still hope. Snow Leopard’s Automator includes this same capability. You simply have to create a workflow for it. Like so:

For audio conversion, create an Application workflow and string together these two actions (found under the Music heading)—Encode To iTunes Audio and Import Files Into iTunes. From the Setting pop-up menu in the Encode To iTunes Audio action, choose the encoder you want to use—High-quality, iTunes Plus, Apple Lossless, or Spoken Podcast. From the Destination pop-up menu choose a place for those converted files to be temporarily stored—a Converted folder you’ve added to your desktop, for example.

In the Import Files Into iTunes action, choose New Playlist and enter Automator Converted. Save your workflow as an application and place that application on the Desktop. When you next want to convert an audio file (no Ogg, FLAC, or Windows Media files allowed) just drop it on top of this workflow. Your file will be converted and added to the iTunes playlist you created.

Converting video files is a similar operation. Point your browser to macosxautomation.com and visit the Services downloads page. Download the Movie Services and install them once downloaded.

A simple Automator application can convert media
Launch Automator, again choose an Application workflow, and create a workflow that contains these two actions—Encode Media (found under Movies) and Import Files Into iTunes (found under the Music heading). In the Encode Media action, choose the encoder you’d like to use from the Encoder pop-up menu (Apple TV, iPod/iPhone, Computer, or Mobile) and a destination. Name and save the workflow and place it on the Desktop. When you need a quick video conversion, drop a video file on to the application you created. It will be converted and added to iTunes.

Of course you don’t have to add the files to iTunes. You can skip the second action altogether in each of these workflows and simply save the converted files to a folder of your choosing.

iTunes You’ve probably noticed that iTunes does a lot of things. Among those lot of things is media file conversion. Drag a compatible file into iTunes—AIFF, WAV, MP3, AAC, Apple Lossless, or .mov, but not Ogg, FLAC, or .avi—and you can convert it to a format compatible with the iPod, iOS devices, and the Apple TV. To do that, select the media you want and make your selection from iTunes’ Advanced menu—Create iPod Or iPhone Version, Create iPad or Apple TV Version, or Create audioformat Version. To select exactly which audio format appears in this last command, open iTunes preferences and in the General tab and click Import Settings. In the window that appears, choose the encoder you want to use from the Import Using pop-up menu. In the Setting pop-up menu below you can fine-tune the encoder by changing its bit rate.

Audio
AppleScript While you can convert files within iTunes, with a well-placed AppleScript within iTunes, you can do more. Doug Adam’s AppleScripts for iTunes is the place to go for such helpful scripts. His Convert And Export script, for example, allows you to select multiple audio files in your iTunes library and then easily convert them to an iTunes-friendly format (AAC, AIFF, Apple Lossless, MP3, or WAV) and then save the converted file to another location on your hard drive.

Others Frequent contributor Kirk McElhearn has recently visited audio conversion tools in his How to Convert Audio to Other Formats. In it he provides links to other tools including XLD for converting FLAC and Ogg Vorbis files. Vox is another tool for audio conversion worth your consideration.

Video
HandBrake We’ve written quite a bit about the free HandBrake, but almost always in regard to its DVD-ripping capabilities. Today’s HandBrake is also a great video converter. To convert your video launch HandBrake and in the navigation window that appears, select the video file you want to convert. Then expose the sidebar and choose the device you’d like to convert the video for—iPad or Apple TV, for example. Click Start and your video is converted.

HandBrake can convert as well as rip media
HandBrake has a couple of advantages over the Lion Automator and iTunes methods. The first is that it can convert video files not natively supported by the Mac OS. You can, for example, convert .avi and .mkv files. It also allows you to batch process files. Just select a file you wan to convert and click the Add To Queue button at the top of the HandBrake window. Then add any other files you want to convert, using this same Add To Queue button. When you’re ready, just click Start. HandBrake will set about converting all the files in the queue.

Video Monkey Chris Marrin’s free Video Monkey () is another Macworld favorite for converting movie files. Just drag the movies you want to convert into its window, choose a device to convert it for from the Convert To pop-up menu, select a desired quality using the Quality slider, enable the Add To iTunes option if you’d like that to happen when the conversion completes, and click Start.

Don’t be taken in
As I hinted earlier, the Internet is choked with media conversion applications. You’ll routinely find these things linked to in questionable forum posts and even less-believable shareware and “reviews” sites. Don’t be taken in. If such a utility features a very generic “box” and garish interface—and you’re asked to pay between $30 and $50 for it—you’re generally looking at one of the dozens of spam-promoted products that slap a poor interface on Unix and QuickTime tools that underlie the Mac OS. And why bother when, for the price of your next breath, you can have a free tool that gets the job done.

A/V Terminology

Friday, April 2nd, 2010

1080i – An HDTV standard that specifies an interlaced resolution of 1920×1080.

16:9 – Sometimes expressed as 16×9 or 16 by 9 (known as 1.78:1 in the film world); the standard DTV wide-screen television screen size, or aspect ratio–16 arbitrary units wide by 9 arbitrary units high, as compared to a standard TV aspect ratio of 4:3. The phrase describes the shape of a TV set or program, not an actual inch measurement.

4:3- Standard “square” NTSC TV screen-size aspect ratio of 4 arbitrary units wide by 3 arbitrary units high; often expressed as 4×3 or 4 by 3. It was originally known as the Academy Ratio (as in Academy of Motion Picture Arts and Sciences, the film industry organization that awards the Oscars) prior to 1954 and the introduction of wide-screen aspect-ratio film formats; also known in the film world as 1.33:1.

480i – 480 interlaced; form of standard-definition digital television (SDTV) that approximates the quality of analog television but not considered high-definition television (HDTV). Even though the native resolution of DVDs is 480p, they are viewed at 480i on an NTSC analog television.

480p – 480 progressive; form of standard-definition digital television (SDTV) comparable to VGA computer displays but not considered high-definition television (HDTV), though 480p is discernibly cleaner and slightly sharper than analog television. The native resolution of DVD is 480p, but that resolution can be seen only if a DVD player outputs a progressive-scan signal and the DTV has progressive-scan or component-video inputs; it is also known as EDTV.

5.1 channel digital surround sound – The popular digital surround-sound technique used by Dolby Digital technology in which audio is recorded on six, or 5.1, separate tracks: front left, front right, front center, rear left, and rear right, with an extra track (the .1) reserved for very low bass. This method (also called AC-3) mimics the three-dimensional quality of sound in real life and has become ubiquitous in home-theater systems. Although analog surround sound such as Dolby Pro Logic also often uses six speakers, the analog format simply splits a traditional stereo signal into front and rear components.

720p – 720 progressive. One of two currently used formats designated as high-definition television in the ATSC DTV standard, this technology comprises 720 vertical pixels and 1,280 horizontal pixels. The p stands for progressive, as opposed to interlaced, scanning, which is used in the other accepted HDTV standard, known as 1080i. Contrary to myth, 720p is not inferior to 1080i; 720p has fewer lines but also has the advantages of progressive scanning and a constant vertical resolution of 720 lines, making it better able to handle motion.

Anamorphic – Adopted from the film technique of shooting a wide-screen image on a square 35mm frame, it’s the process of compressing wide-screen images to fit into the squarer standard 4:3 television signal. The images are then expanded for viewing in their original format on a wide-screen display device. Wide-screen or letterboxed DVDs that are not anamorphic have less detail when projected on a wide-screen monitor. In other words, a nonanamorphic wide-screen DVD is designed to be shown letterboxed on a standard “square” TV but appears with a black box all around the image when shown on a larger 16:9 wide-screen TV. To fill a 16:9 screen, a nonanamorphic DVD has to be blown up, resulting in loss of resolution and detail. Conversely, a DVD that is anamorphic, enhanced for 16:9, or enhanced for wide-screen delivers 33 percent more resolution than regular letterboxed transfers, is designed to be shown on a 16:9 TV, and does not need to be blown up. When one of these DVDs is shown on a “square” TV, it is often subject to anamorphic downconversion artifacts unless the TV has a vertical compression feature.

Aspect Ratio – The ratio of width to height in a video picture or other graphic image. Standard U.S. TV broadcasts and computer monitors feature a 4:3 aspect ratio; HDTV has a much wider 16:9 ratio.

Black Level – The intensity of black in the television picture, frequently referred to as brightness; adjusted to compensate for ambient room light. Black level is set with a TV’s brightness control using a PLUGE test pattern. Setting black level correctly is critical to overall picture quality, particularly the ability to see detail in dimly lit scenes of a movie. The term also refers to the ability of a display to produce an inky, deep black, which is often a problem in fixed-pixel displays.

Burn In – occurs when an image such as a stock ticker, a network logo, or letterbox bars gets etched permanently onto the screen because it sits in one place too long. The danger of burn-in has been greatly exaggerated, and people with normal viewing habits have nothing to worry about. The potential for burn-in is greatest during the first 100 or so hours of use.

Component Video – The elements that make up a video signal, consisting of luminance and two separate chrominance signals, expressed either as Y R-Y B-Y or Y Pb Pr.

Composite Video – A type of video signal in which all the necessary video information is combined into one signal. This is the type of signal used for broadcast TV in the United States. Most computer monitors use RGB video, in which the red, blue, and green signals are sent separately to produce a sharper image.

Contrast Ratio – The difference in light intensity between the brightest white and the darkest black that a display device can produce. A higher the contrast ratio is better than a lower one.

CRT – Cathode Ray Tube

EDTV – Enhanced Definition TelevisionAlso used to describe plasma and other fixed-pixel displays that have 852×480 resolution. They can show an HDTV image but don’t provide as much detail as higher-resolution displays.

HDMI – High-Definition Multimedia Interface. USB-like digital video connectivity standard designed as a successor to DVI; can transmit both digital audio and video signals; incorporates HDCP digital copy protection.

Interlaced Scanning – Scan method used by the majority of televisions and the 1080i HDTV format. As opposed to progressive scanning in which the CRT’s electron beam scans or “paints” all lines at once, interlaced scanning TVs paint odd-numbered lines in succession, then go back and fill in the remaining even-numbered lines. This method is more prone to artifacts and less stable than progressive.

Judder – A visual artifact that often occurs when film is transferred to video. The result is what appears to be jerky or stuttering camera movement, where it should be a smooth pan

LCD – liquid-crystal display A technology used in creating displays for notebook computers, tablet PCs, personal digital assistants (PDAs), mobile phones, and flat-panel monitors for PC systems. This type of display consists of an electrically reactive liquid-crystal substance sandwiched between two sheets of polarizing material. An electric current passed through the liquid causes the crystals to align so that light can or cannot pass through them, thus creating the images on the screen. LCD screens are slim and light and can be produced in a wide range of sizes.

Lumens – The unit of measure for the light output of a projector. Different manufacturers may rate their projectors’ light output differently, and these numbers are usually inflated. “Peak lumens” is measured by illuminating an area of about 10 percent of the screen size in the center of the display. This measurement ignores the reduction in brightness at the sides and corners of the screen.

Native Resolution – The resolution at which a TV or monitor is designed to display images. Image signals higher or lower than a specified native resolution must be converted to be displayed accurately. For example, a TV with a native resolution of 1080i can display 1080i images but may upconvert 480p images to 1080i. In contrast, a TV with a native resolution of 480p must downconvert a 1080i signal to 480p for display. CRT-based projection TVs can have more than one native resolution, but fixed-pixel displays such as LCD and DLP are limited to display one resolution and convert all others.

Overscan – The amount of picture area that gets cropped off along the edges of a television screen. Zero percent overscan means the television does not crop off any of the incoming picture. Overscan is often set intentionally at the factory to be 5 percent, or even higher along the edges, to ensure the screen is full at all times regardless of fluctuations in brightness (which can change the overall picture size) or nonstandard signals, such as those from camcorders or video games.

Progressive Scan – A method of displaying images on a CRT monitor or a high-definition TV in which all the lines of a picture are drawn in one quick burst, from left to right and from top to bottom. Compare this to interlacing, in which every other line is displayed in two successive swoops to form a complete picture.

RCA Connectors – This type of connector is used mainly for carrying video and line-level audio on stereos, TVs, VCRs, and video cameras. The connector has a center contact (a pin or a hole) and an outer contact (a flower or a cylinder).

Refresh Rate – The speed at which the pixels on a display device can change.

Wide-Screen – Image with an aspect ratio greater than 1.33:1 or a picture wider and narrower than a standard television image. Typically refers to TVs in the 16:9 aspect ratio.